Kamis, 20 November 2014

How to Use a reflector

In the world of photography, nothing happens without light. In most cases, there are two kinds of light, the photographers work with: daylight

 and artificial light. Although I am often with artificial light sources, I prefer to use natural light whenever possible, and I consider myself a natural light photographer. One of the tools that has made the biggest difference in natural light photography (and for that matter, Studio Photography) is a reflector. This guide will show you how to use an effective reflector to enhance your photos just bounce the natural light.
1) Selection of a reflector
If you have never bought a reflector before, the selection when you can start looking be overwhelming. There are large and small reflectors. There are round, rectangular and triangular reflectors. There are white, gold and silver reflectors, and combinations of these three colors with names like Sunfire, Soft Silver, & sparkling sun.
One of the first things you will want to decide the size of the reflector is you need. If you primarily receive individual portraits, a small reflector for you could work better than a large one. Of course, a larger reflector is generally produced a larger area of ​​softer light, but larger reflectors are also more difficult to handle, so it does not make a commitment. A reflector 42 "is a common size that is a good combination of ease of use and good light.
Once the total size you are looking for is known, you can start different brands and forms. They are reflectors, handles, brackets or frames have to be found. Reflectors will also find that they do not feel like functions. You usually pay a premium and have fewer options when you choose a reflector with a handle or a frame, but the ease of use that only make the money might be worth.
Finally, you must decide which material you is your reflector. This is a purely personal preference, and can, depending on the lighting conditions you are working to change. Personally, I prefer white or a mixture of white / silver. Unless it's a cloudy day, you will find the silver is too hot to be reflective and mirror and gold. Fortunately, most of the reflectors with covers of different materials that can rapidly change as needed.
2) The use of a reflector
There are so many ways to use a reflector, since there are ways reflector. You can even keep an assistant hold it, have your subject Fried support, or buy yourself a stand which specially designed to keep. You can even the subject sit on it!
Higher as each light source relative to the object, the more the light will be softer. I prefer to use reflectors to give a soft filling, so I know generally or white / silver side and try to get as close to my subject as possible to come. When it comes to working a lot of light, and I have to use the silver side, I will continue to move the reflector from my subject away, so that the light is not to dominate the natural light and acts only as a filler.
A reflector is on what it says: it reflects the light. If you are with a silver or gold, you can consider the issue directly, especially in full sun! The last thing you want is temporarily blind. See The Light landing in the use of gold or silver reflector is easy. If you. Using a white reflector, which is a bit more difficult The best method I've found to a white reflector is used to move back and forth and see the light on the subject. The change can be subtle, but you will be able to find the correct angle for the reflector with a little practice.
Although it sounds obvious, if you have trouble, the reflected light on the subject, make sure that the light is actually on the reflector. Often a branch or object a shadow projected on the reflector, which decreases the amount of reflected light.
3) Natural Light
Each is its own preferences on how and when to use a natural light reflector, but I'll tell you some of the situations that I prefer a. I encourage everyone to experiment with different reflector materials and lighting situations to find out what works best for you.
Most of my images are composed of backlight. Before you start reflectors, I turned off the background and was happy. Once I started with reflectors found, I could begin to bring some new wallpapers to reduce the difference in exposure for my subject and background. To my backlit subjects either semi or golden hour, which is usually a white reflector right next to my face, so I filled the object with the light from almost directly in front of them.
Sometimes the light that I'm on the work is beautiful, but my problem has something dark among them, which does not reflect light back into the face. This is usually a black or grass courts. This can lead to dark circles under the eyes. In this situation, I'm going to put a large reflector in front of them on the floor or at an angle and ensure that it is as close to them as possible. In the first picture of Mia, who was at the top of the reflector in the legs, bowed, and the bottom of his feet touched.
If the light is not very good, and a very cloudy day, you will see many dark shadows around the eyes of the people. In this situation, I'm going to put a reflector just below the face of my subject, just out of the shot.
4) Tungsten
When I record in the studio, I almost always find myself with a reflector. For something as simple as a shot in the head, instead of multiple lights and the proportions between the lights just right, I only have a reflector on the opposite side of my subject from the main light. This gives me automatically a fill-light portion correct that I directly follow up with the settings you make in the power of my main light
Another way to use a reflector with an artificial light is simply bounce off the light from it. There are many occasions when I have been in a softbox without, but I always travel with a reflector. In situations in which to reflect no light, I have to create a large soft light source capable of a America ferrera weight loss small flash like the SB-800 to recover from a large reflector.
5) Conclusions
In my opinion, a reflector is the cheapest, easiest, most versatile and useful lighting systems you can buy pieces. As you can see, there really is no limit to how to use a reflector. With the variety of shapes, sizes and materials available, it is definitely one out there that is right for you. In a future article, I have the intention of talking about finding and using natural reflectors while shooting outdoors.